“Forthright as they are, Cannon says that digging [is] easier than skirting the issues, or making up fictional stories…”
— BILLBOARD
“Music for grown ups…”
— COUNTRY MUSIC PEOPLE
"Beggar is as warm as it is emotional. I can hardly wait for the Love Addict full length album so I can dive in for a good, long swim."
— GONZOOKANAGAN
“…Generally writing most current artists under the table.”
— SAVING COUNTRY MUSIC
“Dolly Would Be Proud!”
— SOUNDS LIKE NASHVILLE
“Cannon’s voice is by turns sweet, sassy, and big enough to fill an arena. She shows that not only is she a good singer and songwriter, but also a good storyteller.”
— GLIDE MAGAZINE
“Cannon’s songs approach the tough side of life candidly and with humor; the tales she tells are full of authentic detail. Also, she’s a top-class performer.”
— AMERICANA UK
“She turns something from her own life into something universal in the way great songwriters always have and has the kind of honest, vulnerable vocal style needed to tell this story herself. This is great American music on the level of Loretta Lynn and Kris Kristofferson.”
— ROCK AND BLUES MUSE
“Up there with songwriters like Kacey Musgraves and Megan Moroney, with her tongue-in-cheek playfulness and her softened edged classic country sound.”
— HOLLER
“If you can balance serious subject matter with just the right amount of self-deprecation, you get something both revealing and eminently listenable. Caitlin Cannon’s latest release, The TrashCannon Album, is a big ol’ bucket of country wordplay with a lethally sharp edge.”
— LOST HIGHWAY
“Such a spicy and diverse effort with such great instrumentation and varying tempers, The TrashCannon Album is like a romp through a country roots history book, and touches all the erogenous zones of the musical palette… By the end, you’re wondering if you haven’t just listened to one of the best and most cohesive works forwarded for public consumption all year.”
— SAVING COUNTRY MUSIC
“Sometimes it’s hard to be a woman, and Caitlin Cannon has stories of social injustice, family screw-ups, sexism, alcoholism and more on [The] TrashCannon Album. Sounds like a barrel of laughs, right? Well, actually, it’s hard not to enjoy, especially as she wraps it all up in strong melodies and a white trash attitude frequently under-pinned by 60s-feeling pop grooves.”
— COUNTRY MUSIC PEOPLE
“Caitlin Cannon’s songs explore the vast, murky space between what we’re promised and what life actually decides to give us."
— AMERICANA HIGHWAYS
With beautifully-layered instrumentation, ‘The Alchemist’ is delivered with a rich, full sound and the result is timeless. In this live reincarnation of the song, we have electric guitar from Adam Meisterhans, which blends with Frank Rische’s acoustic and Jonathan Beam’s warm bass, driving a compelling melody and creating a foundation for Cannon’s smooth, tuneful voice, perfect for country. Further textures are provided by Taylor Floreth’s percussion, Ryan Keith on keys and Eddy Dunlap’s pedal steel, which is simply exquisite.
— AMERICANA UK
“…Ethereal, vintage-inspired sound.”
— THE BOOT
“Side Pony” (super-duo with Alice Wallace) named John Platt's (WFUV/NYC) "Discover of the Year" 2021. MORE PRESS HERE.
“She’s not a songwriter for the winners; she's a songwriter for the broken, the downtrodden, the losers, the motherfuckers. She sings about real shit that most other songwriters don't have the guts to broach. A crack pool player and a hilarious person on stage who could have a second career as a comedian, Caitlin Cannon is one of those country artists that slides so criminally under the radar; it angers the blood.”
— SAVING COUNTRY MUSIC
SAVING COUNTRY MUSIC'S Album Review of TrashCannon
Like a tornado tearing through a trailer park, strewing the trash and dirty laundry everywhere, and leaving one side of a singlewide so totally exposed that every saucy detail of someone’s personal life is just sitting out there in the breeze for the entire neighborhood to see…
"CAITLIN CANNON HIT THE JACKPOT IN PREMIERE OF DUMB BLONDE" -Sounds Like Nashville
Caitlin Cannon bets on being underestimated in the satirical country standout, “Dumb Blonde,” playing the odds to overcome deeply entrenched gender stereotypes.
THE BOOT EXCLUSIVE: DADDY-O MINE
Singer-songwriter Caitlin Cannon is premiering her new song "Daddy-O Mine" exclusively for readers of The Boot. Press play below to listen to the deeply personal tune, which offers an extra dose of heartbreak thanks to Cannon's raspy, emotive vocals.
BILLBOARD EXCLUSIVE: "Deliver" Premiere
Caitlin Cannon pulled herself out of a creative slump with her new The TrashCannon Album, from which "Deliver," the first song the Nashville/Colorado singer-songwriter wrote after giving up drinking, premieres exclusively on Billboard…
WIDE OPEN COUNTRY Song Premiere: 'MAMA"S A HAIRDRESSER'
"Mama's a Hairdresser" captures the way Cannon's brother's imprisonment has shaped the family in heartbreaking detail…
GLIDE MAGAZINE Video Premiere: “TOOLBAG”
Today Glide is excited to premiere the music video for “Toolbag”, a propulsive country rocker that combines Dixie Chicks-like harmonies with deadpan humor…